It’s undeniable now. We’re living in a post-emo world.
On The Sympathetic Oscillations EP, Thunders distinguish themselves as a cut above the average garage rock outfit by never limiting themselves to the standard tropes of the genre.
Anyone with an appreciation for old-school, hardcore punk is going to have a hard time disliking XO from LeATHERMOUTH.
Brooklyn duo Mouthus are usually grouped alongside noise artists, despite being a guitar/drums duo.
In the most relaxed album of his now-decade-plus resurgence to relevance, the world’s greatest living songwriter is having a lot of fun by not writing about anything apocalyptic.
Louisville native Tara Jane O'Neil's first album for K Records, A Ways Away, is a gorgeous atmospheric folk jaunt that makes desolation seem desirable.
Nelson and “modern swing kings” Asleep at the Wheel have joined forces for Willie and the Wheel.
Serge Gainsbourg is the new black. Or so it seems on Nous Non Plus’s album Menagerie.
Honest Jon’s compilation of 1920s Iraqi recordings, Give Me Love: Songs of the Brokenhearted, is truly a gem, but it’s not for everyone.
Louisville native Honeychild Coleman has been an enigma since she made her move to NYC, confounding critics who tried to place her music into the neat little boxes we so desire.