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The Plain Where the Palace Stood
David Grubbs
DRAG CITY
By
Syd Bishop
Bygone is the marriage of David Grubbs and the angular noise-rock of previous acts Squirrel Bait and Bastro, replaced by the contemplative pop music started in Gastr Del Sol and continued here in his
Opposable Thumbs
Opposable Thumbs
GUBBEY
By
Syd Bishop
Clearly weaned on acts like The Fall and Gang of Four, Opposable Thumbs are committed to their influences, all to absolutely positive effect.
Totale Nite
Merchandise
NIGHT-PEOPLE
By
Syd Bishop
If this was played without any preface, you may assume this to be by The Smiths or Echo and the Bunnymen, some obscure b-side you somehow missed.
Wakin on a Pretty Daze
Kurt Vile
MATADOR
By
Sam Wilkerson
“There’s a time in my life / That I sometimes go back to” is an aphoristic taste of
Wakin on a Pretty Daze
’s
screened-in porch atmosphere.
Jeet Kune D.O.H.
D.O.H. (Dollaz Ova Hoez)
SELF-RELEASED
By
Damien McPherson
Largely self-produced,
Jeet Kune D.O.H.
finds the Grimey Rhyme master at arms embracing Bruce Lee’s philosophy over its 16 tracks.
Fear and Loathing in Clarksvegas
Dr. Gonzo
GRIMEY RHYME REGIME)
By
Damien McPherson
The producer of Scanners has put in his bid for the “Producer Album” and succeeds in achieving something more
The Chronic
than
Aftermath Presents
. Dr.
Sweet Dreams Are Made of Squeeze
Squeeze-bot
SELF-RELEASED
By
Martin Z. Kasdan Jr.
“So a tuba, a banjo, an accordion and a toy drumset walk into a bar …” That’s what Squeeze-bot’s “About” section informs Facebook browsers.
Jamie Lidell
Jamie Lidell
WARP
By
Damien McPherson
We know Jamie Lidell is a master impersonator. He can toss a dart at a decade and emulate the sound, songwriting and texture of that period.
Welcome Oblivion
How to Destroy Angels
COLUMBIA
By
Syd Bishop
If you didn’t know any better, you’d think
Welcome Oblivion
was a brand new Nine Inch Nails record.
Vol. 8: Harold’s Hip
The Cut Family Foundation
SELF-RELEASED
By
Damien McPherson
There’s a certain purity in releasing music in anonymity.
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