Hey Louisville, are you ready for some savior-faire?Hope arrived in Louisville Sunday evening, albeit a bit later than expected. Even a miracle-worker has to take time to de-ice his airplane when he’s flying out of Chicago in a snowstorm.
Artificial food coloration can make us sick. Why do we still use it? (Hint: the answer could apply to hormones, antibiotics, and other modern American delicacies)What do fish, fruit and pretzels have in common with chocolate, soft drinks and movie-theater popcorn? Very likely, they are tinted with artificial colors.
This week weâ€™re feeling green, and itâ€™s not that stomach virus thatâ€™s going around (thanks for asking). By coincidence, Stephen Georgeâ€™s cover story on page 12 takes the measure of just how green the cityâ€™s vehicle fleet is (not as green as Lexington, it turns out). George also checks in with author Bill McKibben, whoâ€™s been talking about global warming for almost two decades. McKibben, who appears at the Kentucky Author Forum next week, says it all comes down to thinking locally. Thatâ€™s actually an encouraging message.
Henry, Trouble still close personal friendsDemocratic gubernatorial candidate Steve Henry is no stranger to controversy. The former lieutenant governor to sex-scandal-plagued Paul Patton had to pay the federal government $162,000 in 2003 to settle a lawsuit claiming he’d fraudulently billed the government for Medicare and Medicaid payments while working at the University of Louisville.
The Louisville music scene has been the subject of much intense discussion, thanks in no small part to our indie rock scene of the early- to mid-’90s (honk if you recall the Playboy mag “music mecca” hoopla). You may not realize that period was, so to speak, captured on film by Michael Galinsky, who enlisted real Louisville musicians to portray a fictional band that steals a van and goes on the road. As Stephen George’s cover essay illustrates, the film “Half-Cocked” ultimately plays like a love letter to Louisville. —Cary Stemle
A couple weeks ago, about the time Washington, D.C. got slammed with a nice round of snow and ice, LEO sent me and staff writer Stephen George to the nation’s capital. Our assignment: Take the measure of John Yarmuth, a freshman member of the 110th Congress. Frankly, it was a hell of a week. We learned a lot and found plenty of inspiration. In this week’s cover story (plus my commentary on page 5), you can read all about it. —Cary Stemle
Call him Tubby $$$$mith. I’m advised UK’s beleaguered mentor was approached by a friend, an assistant coach of a recent opponent. The fellow asked Tubby if he might actually consider leaving after the season in light of the fusillade of criticism from disgruntled Wildcat Nation citizens. Purportedly he responded, “If they come up with $9 million, they can get rid of me.” Ah yes, that darn buyout!
“The modern radio industry is utterly focused on you. It’s entirely set up around the idea that you are a part of a predictable demographic whose tastes can be reliably commodified as alternative country or classic rock; the whole premise of talk radio is that you can go all day without hearing an opinion you disagree with — Rush Limbaugh’s fans, after all, call themselves dittoheads. What could be more efficient than that?” —Bill McKibben, from “Deep Economy: The Wealth of Communities and the Durable Future.”
Like Lazarus before them, U of L’s improbable, unforeseeable resurrection continued last Saturday night. Nothing helps the faithful sleep better than dreams of smarmy Tom Crean, the smirk wiped from his face, stewing in his own bile. Card fans leapt joyously from their barcoloungers when Jerry Smith powerchorded string music, Milwaukee, Wisconsin. A dance card for the Cards within grasp, the chilly winter’s night warmed.
courtesy of Kentucky Center for African American Heritage: A rendering of the planned Kentucky Center for African American HeritageLike a person ravaged by an inexplicable illness, the Kentucky Center for African American Heritage has faced one trial after another on its road to completion. But the group behind the museum has proclaimed it a survivor. They just need the cash to prove it.