D. Mawl is already back with a new mixtape and single. His style of hip-hop is vastly under-represented nowadays. It’s “conscious” without wearing that label as a marketing tool.
Bottom line: Good but not excellent, familiar but not memorable. As the ringleader of New Pornographers, one would (rightly) expect a bit more from A.C. (or Allan Carl, as his mother calls him).
I’m on the record about Ohio: I don’t like going there, I don’t like to watch OSU play and I definitely don’t like 98 Degrees (Cincy natives, the lot).
Drummer Mike Clark caught the attention of drummers when he played with Herbie Hancock’s Headhunters on Thrust. His hyper-syncopated funk set new standards.
From the moment that “Fear and Loathing in Mahwah, NJ” mutates from lo-fi murk to a pounding, wall-of-noise sea chantey, Titus Andronicus make their intentions clear.
Jim Hall, a grand master of mainstream jazz guitar who has always maintained a sense of adventure, and Bill Frisell, who integrates digital loops with rustic Americana, have joined forces for a sup