A typical Fool’s Gold song establishes a melodic figure and then tortures it for up to five minutes, creating a sound as dense and enormous as the 12-piece ensemble itself.
Grand Forks, N.D.-turned-Los Angeles singer/songwriter Tom Brosseau’s third full-length for FatCat, Posthumous Success (named for a chapter in an Albert Camus biogra
Enslaved Africans in early America invented the banjo, a combination of several indigenous African instruments.
Hill Country Revue is a must-own for even the most casual of blues lovers.
Let’s Go to Baba’s is the soaring second album from Chicago (by way of Louisville) collective Mittens on Strings.
On their second effort, we start to see these guys (and gal) hone their abilities.
Grunge, metal and, on a lesser level, emo are combined with relative aplomb in this freshman EP by Evil Engine No. 9.
Got Fool’s Gold and Antibalas on repeat? Go archival for their prolific ancestor.
As newgrass (an arguably Louisvillian invention) turns 40, Sam Bush, the genre’s chief architect, continues to construct superb sounds from his adopted Nashville.
Passion Pit’s Manners, the sophisticated follow-up to their 2008 EP, Chunk of Change, is a sonic party from the first note.