“Rapture” was the first Laura Veirs song I ever heard.
It’s unlikely you’ll hear another record like Introducing anytime soon.
On their debut, Brooklyn’s Golden Triangle create an endearing racket so simplistic, it’s a wonder it took six band members to create it.
This album is going to be hard to beat, and it’s only March.
Edgehill Avenue sounds like a great band. They’re rooted in the classic rock and soulful blues that sappy music critics (myself included) go crazy over.
Mostly comprised of duets with guests, including Angelique Kidjo and Esperanza Spalding, plus three songs with his trio, Mwaliko could have been a disaster.
I’m short on fresh things to say about Libby Johnson and her third solo album, Perfect View. I can’t think of anything that hasn’t been said before.
Fans of Sloan and Belle & Sebastian will find plenty to love in the Little Brothers’ breezy power-pop.
Party-punk outfit The Revenge of Ricky Williams’ debut is solid almost in spite of itself. On their website, they list their No. 1 influence as No Doubt, which raises eyebrows.
Louisville-bred Portland transplant Matthew Cooper pushes his Eluvium project into new territory on Similes, mostly by incorporating vocals and something approximating tra