On his first solo outing, University of Louisville Professor Ansyn Banks demonstrates that he is also a consummate student.
After several excellent albums, Lexington native and DownBeat Rising Star Violinist Zach Brock’s second for well-respected Criss Cross pays tribute to several of his influences, from pioneers
Many big bands embrace “more is more” with flashy showpieces: not this one.
Growing up in Cincinnati does a few things to a person — having knowledge of what an Ass Pony is, random encounters with Blessid Union of Souls, and mall food court conversations with the Lac
One-third of Frankfort’s Basement Up, Allen Poe’s Ohms is beautifully produced, from blog favorite “Gina” (featuring Von Pea) to “Grand Entrance” (w
Lydia Loveless created a buzz three years ago with the release of Indestructible Machine, an album rooted in cow-punk grit.
A weird vibe permeates the entirety of Witch, an all-encompassing, sinister veneer that indicts the listener as somehow complicit in whatever it is they’ve done wrong.
While metal is often theatrical in nature, there are some, such as Behemoth architect Nergal, for whom it isn’t an act.