A kind of T-Rex-style classic glam rock seems to be the trademark of Seattle quartet Fox and the Law.
What Jet Black Orchid seems so apt to channel is that kind of easy rock vibe found in The Black Crowes’ music.
Jessie Ware’s second album seems to have an incredible amount of pressure behind it, being the work that could launch her from rapidly growing artist to pop superstardom.
Like David Bowie or Björk, Prince has a talent for keeping his ear to the ground and presupposing new trends, feeling out with some accuracy what might come next.
Not since the Gravediggaz has a hip-hop album seemed to give such little of a shit about religious humility.
Any musician can relate to the dread that comes with describing your own music, especially when asked that question by people outside of your genre.
The word “pretension” is one to avoid, but one I struggle with here; can I think of something as silly without coming off as pretentious myself?
There is an AM radio gentleness, or maybe tameness, that imbues “So It Is With Us,” the fifth release from Portland, Ore., indie folk band Horse Feathers.
It’s pretty ostentatious to name what, to my knowledge, is your debut album Greatest Hits Vol. 3&4.
If you’re a jazz fan and haven’t heard of Gregory Porter, then do yourself a favor and check him out.