As a member of Old Baby, Sexy Minotaur, Jaye Jayle, and the duo Lowe & Sutherland, it was hard to imagine what to expect with Jonathan Glenn Wood’s debut solo effort.
Douchebag rap has been a thing for years now, often by emcees who are capable of putting together solidly built, well-delivered packages, but much like a 3am bar pickup, you feel guilty, dirty, and
Goddammit. I wish “emo” would have had the sense to die a dignified death sometime around the late-’90s.
The name “The Bluesbenders” is somewhat misleading, at least from a linguistic perspective.