Few promising careers have been as mismanaged as Alice Smith’s.
Opening their sophomore release with the sparse and airy drone of “Wendy 2” properly sets the momentum for the remainder of the album.
Coliseum has never ceased their sonic explorations, a characteristic that has led them somewhere new on each record.
It’s a shame the LLPs (who are between 7 and 12 years old) weren’t aren’t around for 1970s game shows, because their millions o’ mallets and sticks approach to jazz (and oft
Never mind the Fiona Apple-length title above, the long in-the-works new album from Father Jah may just be the best of his career.