Multi-reedist Colin Stetson presents an intriguing proposition on his second solo album, New History Warfare Volume 2: Judges: What would it sound like if the saxophone was used not as merely a vehicle for solo expression, but as a polyphonic, looping instrument in the service of highly abstract music? There are some antecedents in the modernist, multi-disciplinary work of Rova Saxophone Quartet, and perhaps Steve Reich, but Stetson’s approach bears few traces of any jazz tradition, apart from an occasional Albert Ayler-esque squeal. The result is an album of highly textural sounds that seem, at first listen, to have been created through heavy digital processing, but New Historywas recorded entirely live — with the exception of a French horn overdub, a guest vocal by Laurie Anderson and one by Shara Worden, of My Brightest Diamond, on a haunting version of “Lord I Just Can’t Keep From Crying Sometimes.”
Sign up. We hope you like us, but if you don't, you can unsubscribe by following the links in the email, or by dropping us a note at leo@leoweekly.com.
Signup
By clicking “subscribe” above, you consent to allow us to contact you via email, and store your information using our third-party Service Provider. To see more information about how your information is stored and privacy protected, visit our policies page.
Subscribe to LEO Weekly Newsletters
Sign up. We hope you like us, but if you don't, you can unsubscribe by following the links in the email, or by dropping us a note at leo@leoweekly.com.
To sign up now, enter your email address in the field below and click the Subscribe button.
By clicking “Subscribe” above, you consent to allow us to contact you via email, and store your information using our third-party Service Provider. To see more information about how your information is stored and privacy protected, visit our policies page.
