Why is it that when the tomatoes get good, the art shows tend to get bad?
Contemporary artists employ folk art techniques
Currently on display as part of the “Cuba Now” exhibit at 21c Museum Hotel, Alberto Casado’s paintings are luminescent and bold, reminiscent of stained glass or the glowing golds
Carnegie Center features '20/20 Vision' by Jan Albers and Karen Titus
The Carnegie Center for Art and History in New Albany is a quietly elegant building.
KMAC looks for ways to attract Louisville natives
Want to know how to spot a tourist (or maybe a local taking the day off with out-of-town relatives in tow)?
PORTRAIT OF LOUISVILLE
Street lights illuminating Third and Market. A paint-splattered artist in his studio.
Exhibit showcases Ali with the rich and famous
On the dimly lit fourth floor of the Muhammad Ali Center, just past the “Hopes and Dreams” wall and near the end of the “Global Voices” walkway, is a word painted in bold wh
Tim Lowly and Matt Ballou bring reflection to The 930
Much like the strict syllabic discipline adhered to by Haiku poets, artists Tim Lowly and Matt Ballou have devoted themselves to the use of “tondos,” or circular formats
Frazier History Museum honors Da Vinci’s other passions
I blame the bestselling novel by Dan Brown and its blockbuster movie adaptation, “The Da Vinci Code,” for a number of misconceptions about Leonardo da Vinci (1452-1519).
Ann Stewart Anderson’s “Women and War” opens with the diptych “Remains 1” and “Remains 2,” mirror images that show an anonymous ancient Greek woman s
Caravaggio was an original bad-boy artist
Aficionados love to gossip about artists’ bad behavior over plastic cups of wine.