Whether it’s detailing the human form or expressing the rhythm of a galloping racehorse, Jeaneen Barnhart sets out to capture the tension in movement in her drawings.
Standing in a pile of sawdust and shavings that is roughly the size of a batter’s box, Andrew Brown inserts a long, rectangular spear of poplar into a lathe in his Germantown garage.
Just call the man Duffy, if you will. Bored with the limitations of two-dimensional art, Duffy became a sculptor by accident — a car accident, that is.
The drawings are massive, two-paneled pieces stretching across eight feet or so of the floor in Ying Kit Chan’s office at the University of Louisville, where the Hong Kong native is a profess