Identity Politics
Identity Politics

Cover Story for May 6, 2008

Identity politics: How do you define Louisville? For one ex-pat photographer, it’s in the people

By Stephen George

For some reason for which modern science has no accounting, the subject of Louisville’s identity keeps coming up — in bar conversations, coffee shop summits, Chamber of Commerce meetings, at church, at shows, in this newspaper — and nobody knows really what to say about it.

Arts & Entertainment

LEO Eats: Deli belly — Louisville does the deli phenom right

By Robin Garr

Let’s start right out by admitting that I’ve lived in New York City off and on, had plenty of exposure to the NYC deli phenomenon, and don’t really get it.


In a metropolis known as one of the world’s great cities for fine dining, how exactly did such a genre evolve? Heavy, fatty, overpriced food, served by rude waiters whose shtick seems to be insulting the customers ... and the customers love it?

Art Review: Is life better in Suburbia? Check out Bill Owens’ photographs

By Jo Anne Triplett

Suburbia: the land of the spindly trees, SUVs and few (or no) sidewalks. Bill Owens has photographed this middle-class rush away from the city core since the 1970s. His images look all too familiar — many of us have called the suburbs home at some point in our lives.
Music

Sparks flies at Jenicca’s; Elvis and Amy take the Palace

By Kevin Wilson

Friday, May 9
Now that all of the out-of-towners have vacated the clubs, we can get back to business as usual. This week’s performance highlights include the legendary genre-jumper Elvis Costello tonight at the Palace Theatre (625 S. Fourth St., 583-4555, $44.50, 8 p.m.); a Saturday evening Pops Orchestra session with songbird Amy Grant (also at the Palace, $37-$87, 8 p.m.) and silver-tongued crooner Johnny Mathis’ Mother’s Day Special (you guessed it, Sunday at the Palace, $67-$77, 8 p.m.).

Music Preview: ’Tis the Season

By Mat Herron

Delayed reactions have an upside: There’s still a reaction.
Nearly two years after the release of their first record, The Swell Season — a fortuitous collaboration between The Frames’ Glen Hansard and Czech phenom Marketa Irglova — are swimming in praise for their starring roles in “Once.”

CD Reviews (05.06.2008)

Contributing Columnists (Opinion)

No More False Dichotomies : Too much like right?

By Cary Stemle

That Jeremiah Wright is something else, isn’t he? What is he thinking — it’s as if he wants to take Obama all the way down.


Or maybe he wanted to give Obama a chance to stand up and prove he really is different. To say, “Well, sure I knew he was out there, but there were enough good things to the man that I could understand his ‘extreme’ side and agree to agree where we agreed and disagree otherwise. Because none of us, and I mean no one in this world, is, or should be, in lockstep with another human being when it comes to the deeply personal aspects of being alive in our own skin. We each take the whole of any situation, and act accordingly.”
That, as they used to say on the dryer line at General Electric, would be too much like right.

News / Features

New report dumps carbon capture

By Stephen George

If you thought the idea of capturing carbon dioxide emissions from power plants and burying them deep in the ocean was absurd on its face, Greenpeace says you were right.

No parking zone: A flap over parking enforcement has one Audubon Park resident trumpeting claims of police abuse

By Rick Redding

The Audubon Park police department may have picked on the wrong citizen when it started enforcing a parking ordinance in front of Suzette Sewell Scheuermann’s home on Eagle Pass.

‘People are going to live here’ Louisville students represent in the not-so-Big-Easy

By Jason Sitzes

Two Louisville Collegiate high school students, both in the upper school, expressed the same idea in different ways: “It’s almost like Louisville has done more for New Orleans than FEMA.”